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Little Women is a 2019 American coming-of-age period drama film written and directed by Greta Gerwig. It is the seventh film adaptation of the 1868 novel of the same name by Louisa May Alcott. It chronicles the lives of the March sisters—Jo, Meg, Amy, and Beth—in Concord, Massachusetts, during the 19th century. It stars an ensemble cast comprising Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, and Chris Cooper.

Released: Dec 25, 2019
Runtime: 135 minutes
Genre: Drama, Romance
Stars: Saoirse Ronan, Florence Pugh, Emma Watson, Eliza Scanlen, Laura Dern, Timothée Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel
Production Company: Sony Pictures, Columbia Pictures, Pascal Pictures, Regency Enterprises
Four sisters come of age in America in the aftermath of the Civil War.

Did the world need or ask for another adaptation of Louisa May Alcott’s famed novel Little Women? The answer is probably no but after having sat through Greta Gerwig’s lovingly shot and beautifully staged version of the beloved story of the March sisters, you’d be hard pressed too find many viewers that weren’t glad this new take on the classic story came to life.

Announcing herself as a filmmaking force with her directional debut Lady Bird, Gerwig proves here to be the real deal in a very big way, as she takes the reigns behind the camera and takes charged of screenwriting duties as she instills her own flavor and verve into Alcott’s family drama.

Whilst set in the Civil War era of the United States, Gerwig manages to bring modern day sensibilities and flair to the March’s tale, without ever losing sight of the core heart and soul of the narrative that has managed to maintain a place in popular culture for these many years since it’s initial release in print form.

Little Women is one of those features that feels accomplished and thought through wherever you look from Yorick Le Saux’s photogenic cinematography, Jacqueline Durran’s sumptuous costume design, through to a typically strong Alexandre Desplat score, as the film showcases Gerwig growing before our eyes as a director in what’s a major step up production wise from the small-scale and more independently structured Lady Bird.

As with her breakout film, Gerwig has managed to assemble a fantastic and on song cast to bring her vision to screen with every performer bringing their A-game’s to proceedings here, as returning Gerwig actors Saoirse Ronan and Timothee Chalamet as the determined and unflappable Jo March and the devilishly charismatic Theodore Laurence respectively shine brightest in a loaded ensemble.

With Lady Bird and this higher profile effort under her belt, it’s clear that Gerwig is an actors director, as she also oversees the further establishment of 2019 breakout star Florence Pugh, who delivers an awards worthy turn as the more artistic and whimsical March sister Amy.

Thanks to the film’s overwhelmingly strong performances and technical strengths, the fact that Little Women’s now more formulaic and familiar plot movements and processions never threaten to detour from the fact this heartfelt and soulful effort is a thoroughly enjoyable and likable affair, that manages to say some important things about equality and female empowerment without ever feeling preachy or overbearing.

A strong vision from a female filmmaker of substantial and timely power.